PBS Studio Space, Interview of Lori Goodman
Gimme Shelter
Lori Goodman’s installation and JoAnne Berke’s milestones
BY GABRIELLE GOPINATH
Lori Goodman’s new installation centers on two large, contoured forms that protrude from the wall. These vaguely tent-like structures are spaced so that they almost touch at their shared boundary. Their rugged surfaces are fashioned from handmade, hand-dyed paper dressed over flexible armatures, the material Goodman has long favored for her constructions. Scale lends these objects a rangy, ungainly look. They burgeon in unexpected ways, barging beyond the wall and into adjacent space.
Architectural Art: Great ‘JOURNEYS’
By WENDY BUTLER • DEC 27, 2017
This week’s Artwaves examines “JOURNEYS III” with this exhibit’s creator Lori Goodman. Her exhibit is at Eureka’s Black Faun Gallery through Feb. 10. Among the displayed works is one Goodman created out of an invasive plant, whose branches she clipped and stripped and wove together to form “twin huts.” Goodman will give a talk and demonstration Jan. 6 at 4:30 p.m. at the gallery.
Points of Egress
Art in the airport
by Gabrielle Gopinath
April 13, 2017
Not long ago, I found myself in the recently renamed California Redwood Coast Humboldt County Airport, looking at art. Perhaps you haven’t given much thought to the airport as arts venue…
The Pythians: Art, Photography, Poetry & Video by Women of Maturity. An on line review
Here and There, Topographic Conversations with Morris Graves
Museum of Northwest Art, La Conner, Washington
The Morris Graves Museum of Art, Eureka, California
Paper Art Soul by Prue Dobinson, Schoeni Art Gallery, Norwich England
Unexpected Destinations
New work by Lori Goodman at Piante
Our experiences shape us, and we all have different ways of processing and sharing them. Some of us blog about travel or culinary discoveries, some compile photo albums, others prefer telling anecdotes around the water cooler. Whatever the vehicle, this kind of sharing is an important part of how we connect with others and to the world at large.
Wall to Wall: Review of More Journeys
NORTH COAST JOURNAL,
Art Beat
by Ken Weiderman
So where do you go after soaking up Gold’s colors? Piante Gallery’s exhibition of Lori Goodman’s new works, Journeys, is a good choice. Goodman’s sensitive sculptures, installations and wall hangings proclaim a love of paper, form and travel.
Review of Pink
NORTH COAST JOURNAL,
Art Beat
by R.W. Evans
Marilyn Andrews and Lori Goodman have a duo show at Piante Gallery. (I’m tempted to use all caps for this announcement, but I’ve been told that would be shouting.) This is not a collaboration as such, but separate presentations with each artist expressing her concise vision while being keenly aware of the other……
At Bay: An Installation by Lori Goodman
This essay was prepared by HSU students: Ryan Cox, Stepanie Guel, Jill Moore, Jon McCallum, Adam Poore, Charissa Schulze and Brian Tyzzer.
Lori Goodman’s installation, At Bay, is based on her observations made during numerous hikes through the Eureka Wildlife Sanctuary, whose beauty and ecological complexity she believes is locally underappreciated. Her desire with this exhibition is to draw attention to the sanctuary while making a cohesive gallery installation.
MARSHLANDS, an interpretation
Finding the angular side of water
NORTH COAST JOURNAL, Art Beat
I once went for a hike in Eureka’s Elk River Wildlife Area with Lori Goodman. I’ve driven past that area on Broadway at the end of Hilfiker Lane numerous times and never knew that there was anything behind those industrial-looking buildings. Lori took me over six miles through grassy marshes.
Lori Goodman at “Pacific Rim Sculptors Group” Exhibition « Liberty Arts Gallery Yreka, CA
Lori Goodman at “Pacific Rim Sculptors Group” Exhibition « Liberty Arts Gallery Yreka, CA
Lori Goodman at: Pacific Rim Sculptors Group
Accessibility 2003 artists
Sunday, September 21, 2003
Lori Goodman of Eureka, Calif., has tentatively titled her installation “Paper Grass.” It will fill a vacant lot with paper grass made from handmade paper, mostly black or dark tones in color. Each blade of grass will be about 6 to 18 inches to 7 feet high.
Review of Ghostdancing, Barbara Dolan-Wilkinson and Lori Goodman
by Jane Ingram Allen
Sculpture Magazine, International Sculpture Center
Melvin Schuler Sculpture Garden, Morris Graves Museum of Art
I first saw Ghostdancing, a collaborative earthwork installation by sculptors Barbara Dolan-Wilkinson and Lori Goodman, on a beautiful spring day filled with the strange Northern California light that is filtered through giant redwoods and softened by moisture from the Pacific. The installation took advantage of the light and transformed the space.